Director, choreographer and
scriptwriter Rehan Jainulabdeen aka Ray Jay is a youth of many talents. Having
trained at the South Seas Film and Television School in Auckland, New Zealand,
Ray proved his mettle by working on productions like Lucasfilm Animation
Singapore’s Star Wars: The Clone Wars before moving onto establishing his own
production company, Grindout Productions, with fellow countrym duo then made
two films together: Chase and Train to Kandy.
Ray had worked on two short films
The Ocean Was My Best Friend and Hope. Both were based on the 2004 tsunami and
were among the top 50 short films at the 2005 World Fest-Houston International
Film Festival. They also made it to the finals to compete for the best
cinematography award.
The versatile youth directed his
own documentary short film, The Corrupted, before turning a new chapter in his
career when he took to directing his maiden movie. Titled Re-Entry, the film is
a fiction, action thriller which deals with an ambitious Genetic-engineer and
an indisposed hero’s journey to unearth the secrets of America’s NASA project.
Following are excerpts of an
interview with the young film-maker:
Q) Why did you decide to debut
with a science fiction film?
The science fiction genre is
something I have been fascinated about since my childhood. It holds no limit to
what you can imagine and create. It has guided mankind to make many discoveries
in technology and many other important things. I have waited for this
opportunity for many years and I believe that I have all the right ingredients
to make an interesting production.
Q) Why did you choose to set the
film in the future (2018) and in Sri Lanka?
It’s a ‘what if’ situation. I
created an alternative version of the future with different species of
extraterrestrial life forms (aliens) slowly inhabit our planet because of a
careless mistake the American government has made. How will people on earth
face it? How will we as Sri Lankans deal with it? Those are the elements that I
explore in Re-Entry.
Q) Is there any particular reason
for you to shoot the film in the north western province in Sri Lanka?
Around 75 percent of the film is
shot in Sri Lanka. The rest is in Chicago and Samoa.
The geographical nature in the
north western province was a perfect backdrop for my requirements. It gave me
the opportunity to visually (visual effects) alter and enhance the landscapes
to suit the post-apocalyptic tone.
Q) You talk about
extraterrestrial life on earth. What are the aliens like?
Aliens are very primitive in
terms of their nature as a species in appearance more of a reptilian form.
They come in different sizes and different types. They have occupied land, sea,
lakes, rivers etc. They don’t have an intention or the intelligence to invade
us. They are just trying to survive like any other life form.
Q) You worked on Star Wars: The
Clone Wars. What was it like being involved in such a huge film franchise?
At first it was a big thing to be
involved. I was working in the 3D modeling department modeling some of the
space ships for the series. I never enjoyed it. I didn’t have an opportunity to
be creative. I was more of a factory worker than an artiste. Everything was
planned, designed and finalised before it was passed on to me. I just had to
look at some drawings and build exactly what was on paper.
Q) You are the director,
cinematographer, editor and also doing visual effects in Re-Entry. Since this
is your debut movie wouldn’t it have been appropriate to assign some of these
chores to other individuals?
My inspiration to multitask came
from film-maker Robert Rodriguez. When I was making amateur films as a
youngster I didn’t have other people to do these jobs. I did it myself. That
eventually evolved into a habit. I feel very confident about my style of film making.
There are a few other notable multitasking film-makers out there.
Q) You have mentioned that you
are not following the typical Bollywood formula that the local film industry
tends to mimic. You have encouraged youths to think out of the box. How can you
guarantee that your film will work here? Are you willing to take that risk?
I can’t guarantee that it’s going
to work on a mass Sri Lankan audience but it will definitely attract attention
of the young generation who is more exposed to these genres in Hollywood films.
This is not exactly made only for the local audience. It’s an international
project targeted for a global audience. The hype about the film has already
started online in South Western Europe and South America.
Q) How did you choose your actors?
I have three main actors in this
film. I’ve known two of them, Kate Leinster and Udana Fonseka, personally for
at least five years. They had identical characteristics to what I had penned on
script. The third person, Brenden Carson, was casted the traditional way.
Q) Why did you decide to shoot
this film in 3D?
he world has started to watch
films in 3D in theatres and at home on a television. Sri Lanka will quickly
adapt to this technology in no time. Re-Entry being a science fiction film
qualifies in every way to be watched in 3D. This is the first of its kind to be
made by a Sri Lankan. We do not have the technology to project films in 3D at
the moment but a plan for upgrades in at least two cinemas in Colombo has been
rumored.
Q) So when do we get to see
Re-Entry?
The intention was always to get
Re-Entry released internationally. So there will be a limited theatrical
release in North and South America. The film will be screened in some parts in
Europe, Australasia and Asia in selected theatres in March 2012. It will have a
wider international release through BLU-RAY and DVDs.
Most of the filming is completed.
It’s in post production stage. The post production process only will only take
a few months to complete. Co-operatives and Internal Trade Minister Johnston
Fernando supported this project to get to where it is today.
Q) Are you planning to do another
science fiction thriller after Re-Entry?
Absolutely! I don’t want to talk
much about it at this stage. But it will definitely have all the strange
elements with the thrill.
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